
Railway track on bridge.

Potential opening for housing drawing device; open above to railway + below to pedestrian walkway and street, multilayers of movement.

Opening + connection point of bridge.
The site I am focusing on is the area surrounding the Watkins building + the railway + underpass. The intent is to use the air movements, vibrations, sounds, + forces of passing trains to activate drawing bots. There appears to be numerous suitable locations for placing devices + housings. At this point, I need to develop what these drawing bots are going to be, how they are going to operate + be housed by the site, what aspects of the site will influence the process of drawing, can on-site materials by used as drawing media (rust, gravel, stone, ice, water, etc.) I am also exploring means to cast graphite parts + components for the devices; with the idea that the bot will eventually wear itself away. A major concern about achieving this is access to a 1800 F (1000 C) oven for firing the graphite, clay, and water composition.












The underside of the device; the speaker.
The drawing surface
Multiple drawing devices suspended from above onto the vertical drawing surface (or placed on a horizontal surface). The devices are able to move around the surface creating + distrupting circuits.
This device uses a fan to turn a propeller which make a wire bounce upward. The bouncing wire makes contact with another wire closing a simple LED circuit momentarily. The LED flickers on/off rapidly; this light is sensed by the phototransistor of the optical theremin creating a pulsing/laser-like sound. The fan will use a magnetic contact as a switch; where the magnet is used to adhere the contact to the drawing surface.
The drawing surface + mounting surface is suspending from above leaving approx. 8-12" space between the board + the wall. This space will be used to arrange the sound + movement components. The mounting surface may be metal to allow magnetic contacts to be held in place to control devices/components that produce repetitive beats/sounds, such as a cooling fan, etc. Moving the magnetic contacts from contact point to contact point could activate other similar components The drawing surface will be made of heavy graphite lines acting as resistors for LEDs and other sound operated devices; these devices will be operated by another set of contacts.
I've looked at the lengths of the graphite lines, it seems that the LED will still light slightly even when the line is 22" long. The lines have to be redrawn to build up graphite; the line can still remain quite thin. I plan on using the story of the Tower of Babel to influence the drawing surface (see the images in the previous posts, Tuesday, Novemeber 14th). This weekend I have booked an overhead projector to help transfer specific aspects of the Tower of Babel paintings to the drawing surface.
The resistance created by the graphite is shared among two LEDs. The greater the resistance the dimmer the light becomes; by placing the contact point closer to one LED makes it brighter and the other dimmer. The light emitted from the LEDs is used to activate the phototransistors of two optical theremins; each produces a tone/sound relative to the quantity of light. These tones begin to vary as the contact is move from place to place. One optical theremin may produced a low pitched tone, while the other produces a high pitched tone. Graphite controlled light is used to produce sound.
Bruehel's Tower of Babel, 1563
'The Confusion of Tongue' Gustave Dore, 1865.
"The idea of making my own tools for artistic expression arose from my desire to give more direct form to the proposition that art is the embodiment of philosophies concerning human behavior. Since the Love Arms are not metaphorical but actual tools with a concrete physical form, they must have volume and weight, decoration, and functions. (As they are musical instruments, they must emit sounds and be attachable to the body, so that a physical and emotional 'performance' can be given.)
"In the same way as Love Arm 2, install 'Disco Ball Arm' with a special strap. The special feature of it is a pear shaped mirror ball with a diameter of 180 mm. A Makita 9.6 V drill painted with wood grain texture and an Ibanez electric guitar pickup is mounted on a 16 mm silver metal plated steel pipe and out puts 'Real machine sound'. The non-stage transmission model drill, together with movement of the disco ball synchronized to the player's direct emotion, enables free expression. Furthermore, by grabbing onto the rotating part and adding load, it squeaks in high tone creating a melody as if someone is sobbing. It is also possible (manually) to flash lights to go with the music. Connecting Makita drill machine, an item essential to rock music as a symbol of speed and power, with a disco ball symbolic to dance music, it is all brought together in a Mods' decorative scooter technique way." - the-rotators.com
"The first Love Arm that can be held in one hand. It weighs approx. 3.5 Kg, equivalent to the normal electric guitar. Rawlings Big Stick baseball bat is used for its basic structure. At the tip is a battery operated flashing light, at the head part a spring unit and battery compartment box, and at the grip end one jack is installed for sound out put. To play Love Arm 4 you can boost up the out-put and just swing, lightly hit the stage or the ceiling, or just throws it when you get on the groove. The vibration of the spring will transform into a sound like crushing rocks or an explosion. It is structured to enjoy feedback sounds different from regular electric guitar sounds by turning up the volume of the amplifier." - the-rotators.com