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Schillinger proposes a device capable of composing music, these machines will produce beat, rhythm, tone, pitch, etc. on their own (with the help of an operator, "music engineer"). He saw the work of Theremin as the beginning of the "...second half of the history of music." Schillinger desired a shift from traditional towards a new age of electronic instruments, these ideas, most likely, stemed from his believe that, "...in an age of technology, art forms should be engineered and executed with the same scientific rigor and formulas as the building of bridges or skyscapers -- taking advantage of the latest scientific tools." pg. 131, Glinsky, 2000.
There is the possibility to produce a theremin-type device to control and/or be controlled by itself and others. A machine begins to play itself, other devices begin to play the machine. A possible objective is to produce a device that responds to the sounds/movements it is creating, the machine then feeds itself. Variety could be introduced into the system through other external devices/sensors/movements, etc.
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